Course Syllabus for Gary Olsen’s PhotoShop 5 Bootcamp

Monday and Thursday: 5:30 to 7:30 PM in the Library Mac Lab

The course is held over an 8-week schedule. There are two classes per week.

Class 1

Objective: Convey to students what the instructor’s expectations are to successfully complete this course.

  1. Introductions among Classmembers
  2. Distribute Course Syllabus and Explain Course Requirements, Materials and all Pertinent Information Students will need to Successfully Participate in this Course
  3. Premier and Describe the Official Course Web Site, and explain how students will use it in conjunction with class activities
  4. Portfolio Review of Instructor’s Works which represent the varied projects assigned to students
  5. Assignment: Bring a photograph to the next class for scanning

jackA.jpg (42671 bytes)Introductory Assignment:

Download the Introductory Assignment Image of the two men in a vintage car.

Please copy an image supplied by the instructor to your hard drive for our introduction to basic PhotoShop tools.

This assignment is all about getting comfortable with the basic tools in Photoshop which allow you to manipulate and retouch photographs. In this assignment, you will create a mask image of an object which will enable you to remove the background of the photo..

In this first assignment we will use the following tools, working on this image right along with the instructor.

  • Retouching tools

  • Masking Tools

  • Clipping Paths

  • Image contrast and color tools


Class 2: Assignment: Creating the Photographic Postcard

Objective: The student learns the following steps in the process of digitizing an image which include The Scan, Color Balancing, Retouching, and Optimizing Resolution for Target Application

  1. The Scan
  2. Determining Target Resolution
  3. Color Balancing: Working with RGB and CMYK color models
  4. Color Manipulation: Working with Hue, Saturation and Lightness to manipulate color
  5. Brightness and Contrast: Working with Histograms
  6. Manipulating Resolution for Target Application

Requirements: Students must have two photographs they wish to scan and manipulate and a portable disk on which to store the file. Elements of both photographs will be combined into one photograph.

Click to go thereSee this assignment at the Student Gallery!


Class 3 The Photograph (continued)

Objective: Supervise students’ progress on their photographs and provide individualized guidance and remedial help for those in need. In this session we are going to learn how PhotoShop’s anti-aliasing feature works to improve image quality.

  1. Anti-aliasing: Understanding and utilizing one of PhotoShop’s most powerful features which interpolates contrasting pixel colors to render smoother gradations in color and better rendering of type elements. This feature contributes to more pleasing results when re-sizing graphics and changing resolution. Also explained: how anti-aliasing is effected by resolution.
  2. Sharpening Techniques: Sharpening tools and the Unsharp Mask tool.
  3. Blurring Techniques using the blur, smart blur and Gaussian blur tools
  4. Noise Filters: Removing dust, speckles using the smudge and rubber stamp tools.
  5. Successfully blending the natural with the retouched areas of the image: Using the Noise Filters

Class 4: Working in Layers and Combining Image Elements from Different Sources

Objective: In this class we begin by scanning our second image so we can combines elements of both image sources to create a single compelling image. Extensive use of PhotoShop’s layering is covered in this class.

  1. Scanning the Second Image and importing it as a layer in your target image file.
  2. Eliminating unwanted elements through the use of vector paths and selection tools.
  3. Leveraging PhotoShop’s anti-aliasing feature to seamlessly blend images and softening edges (Feather and Modify/Border feature
  4. Using the Selection Tools: lasso, marquis boxes, and vector path tool
  5. Eraser Tool Variations and Controls

Class 5: Working with Type Elements in PhotoShop 5

Objective : The student learn to use type elements in layers, and the tools used to manipulate those type elements including the following effects:

  1. Drop Shadow
  2. Inner Shadow
  3. Outer Shadow
  4. Inner Glow
  5. Outer Glow
  6. Embossing tools
  1. Outer Bevel
  2. Inner Bevel
  3. Pillow Emboss

Requirement in this Class: Students will add type element to their composition and an appropriate effect that will contribute to the effectiveness of the image. This will complete the first class project.


Class 6: Choosing the Correct File Format for your Image

Objective: In this pivotal class, students will learn the most appropriate file format for their image file and understand the correlation of resolution to file format. Also, we will discuss the cross platform implications of certain file formats and their appropriateness for one operating system over another.

  1. We determine the most appropriate graphic file format for your project and how these formats relate to platform dependence, color management, color depth and file size
    1. PICT: Picture format that supports grayscale and anti-alias full-color imaging
    2. EPS: Originally developed by Adobe Systems, it stands for Encapsulated PostScript. CMYK color formatting which contains both high-resolution imaging data and a low-resolution image for placement in page layout software such as Quark Xpress, PageMaker, FreeHand, Illustrator, Corel, et. al. The Eps file must accompany the page layout document wherever it goes so the raster image processor or print imaging system renders the high-resolution data.
    3. TIFF: Tag Image File Format. Featuring virtually the same image and color management characteristics as an EPS, this format was developed by Aldus Corporation (now Adobe), to allow smaller, more manageable page layout file sizes once high resolutions images are placed in the document. As with EPS, these files must accompany the page layout document. The printer/image processor gets its high-resolution data from the Tiff image, not the page layout. Some applications allow you to imbed the image files into their documents thereby relieving you of managing multiple files.
    4. JPEG: Stands for Joint Photographers’ Engineering Group, a consortium of companies involved in computer imaging software and hardware development. JPEG is a file compression scheme that allows smaller file sizes while maintaining full-color bit depth. JPEGs display using your computer’s full-color reproduction capabilities and system palette.
    5. Gif: Developed by CompuServe, one of the early adopters of graphical interfaces developed for on-line communication. This format uses a palette limiting compression scheme which simply reduces the number of colors required to render a graphic. Because GIFs don’t utilized antialiasing, color gradations are re-rendered using a dithering scheme of image pixels.
    6. BMP: A Microsoft image format utilizing RGB color palette. Because Microsoft focuses on the business productivity marketplace, which outputs to color output devices such as inkjet and laser printers, Microsoft determined there was no need to confuse users with CMYK color management tools found in professional graphic software packages. BMP images are automatically converted into CMYK when you print a Microsoft document. The conversion occurs in the background and utilizes device data in a process invisible to the user.

Expectations: Students will save their image in two different formats for the following target application: high-resolution printing and the Web.


Class 7: Working With Color in PhotoShop 5

Objective: Students will understand the different characteristics of color in PhotoShop 5.

    1. Identifying and Working with System Specific Color Palettes
    1. Mac Palette
    2. PC Palette
    1. RGB and CMYK Color
    2. Indexed Color (reducing colors for smaller file sizes)
    3. Dithering
    4. Grayscale
    5. Duotone
    6. Bitmap

Assignment: The Web Banner: Students will be required to create a photographic or rendered image through a combination and composition of imagery. They then must optimize the result for the most efficient Web deployment.

Requirements: Students must bring image elements to class, either found or created, that can be combined to create an advertisement for the Web. The theme is provided by the instructor.


Class 8: The Web Banner Project (continued)

Objective: Students must make some progress on their individual assignments and present them for review by the instructor and fellow classmates. This will be a lab day in which the assignment can be advanced during class time.


Class 9: Working with Filters in PhotoShop 5

Objective: Students will learn the practicalities and applications of PhotoShop’s filters, among them:

    1. Artistic Filters
    2. Rendering Filters including
    1. Render Clouds
    2. Render Lighting Effects
    3. Render Lens Flare
    1. Sketch Filters
    2. Stylize Filters
    3. Texture Filters

Assignment: An Original Image (Poster): This assignment serves to provide experience in working with PhotoShop’s array of image manipulation filters.

Requirement: Students must bring imagery that can be used in a original composition. It can contain photographic, drawn or painted images. The design objective is to create a poster, so have a theme ready for class or the instructor will provide one.


Class 10: Review the Poster Project

Review: Students will present their posters (both electronic and hard copy) and describe their techniques for achieving their results.

Lesson and Objectives: We will cover the art of grayscale and bitmap image creation using PhotoShop 5. Students will learn how to:

    1. Scan a black-and-white image and/or color image for grayscale manipulation
    2. Optimizing the grayscale image through the use of contrast and brightness controls.
    3. Sizing and cropping the image
    4. Manipulating the sharpness of the image through the use of sharpen and blur filters
    5. Using PhotoShop’s layers feature to change depth of field or to add emphasis and drama to an image.
    6. Duo-tone, tri-tone and quad-tone options
    7. Stochastic screening a black-and-white image (bitmap conversion using dithered halftone feature), re-importing the image into a layered RGB file, changing layer from normal to multiply, and colorizing a layer underneath the image layer
    8. Choosing the best file format for its target application, including TIF, GIF, and EPS.

Assignment: The Black and White Image (halftone): Scan, optimize and convert an image to Grayscale and then to a Bitmap image.

Student Requirement: Students must have an appropriate image with which to work. Students will scan the images in class, manipulate them according to the lesson and choose the best file format with which to save the image on disk.


Class 11: The Black and White Halftone Assignment Continued

Objective: This is a lab class in which students can use lab equipment to further manipulate their image. Supervision by the instructor will determine areas of opportunity or remedial help. There may be a further detailed lesson in this class depending on opportunities discovered among the students as they seek to meet their individual objectives.

Lesson: Determined by students’ progress on the assignment

Student Requirement: Students must be prepared to present final image for evaluation.


Class 12: Preparing for the Final Assignment

Objective: Students will begin working on their Final Assignment which is a complex, layered composition which will utilize several of PhotoShop’s effects filters.

Lesson:

    1. Collecting objects and images found and created for our layered composition.
    2. Scanning 3D objects using a conventional scanner
    3. Using digital photography
    4. Creating a background texture
    5. Using drop shadows and embossing filters on objectives to enhance their appearance and create dramatic effects
    6. Using lighting techniques with the Render Command
    7. Using Lens Flare
    8. Using levels of transparency to create depth

Assignment: The Layered Illustration with Background Texture and Compositional Elements Gathered or Created by the Student. The student must plan, collect and execute a layered composition using a background texture, photographic elements, 3D objects), and possibly some uniquely created elements, either drawn or painted.

The Theme: This will be a personal, visual, biographic depiction of your entire life up to now. It must contain images and objects that symbolize important memories or milestones in your life. It can contain images of your parents, significant people in your life present and past, found objects such as buttons, badges, athletic equipment (baseball, perhaps), old shoes, a piece of sheet music, images from a movie that was important to you, the lyrics to a song, a photo of a pet, a childhood sketch, a favorite book. Use your imagination.


Class 13: Preparing your Composition

Objective: This is a hands-on opportunity in the lab to discover opportunities and determine remedial help among the students.

Lesson: The lesson for this class will be determined by the level of sophistication in the students’ works and their desire for more creative opportunities and variations.

Student Requirement: Students must make significant progress on his assignment during the class.


Class 14 Lab and Catch-up

Objective: Students must be prepared to show their work in either digital or hard copy form.


Class 15: Portfolio Review

Objective: Students will learn techniques of portfolio creation and maintenance from an expert, both traditional and Web-based. The

Lesson: The instructor provides insight into portfolio presentation, both traditional and Web-based.


Class 16: Lab and Catch-up

Objective: Students bring their portfolios to class for evaluation by the instructor

Lesson: An original video is planned for the class which features a local design studio with interviews of how these professionals use PhotoShop 5 to pursue their livelihoods.

 

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© Gary Olsen 1999, 2000, 2001, 2002 all rights reserved. All graphics and copy in this Web site are the intellectual property of Gary Olsen and/or his clients' property, used with permission, and cannot be used for any purpose without permission. Address correspondence to golsen@mwci.net.